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Lulu’s creation mirrors the themes of its plot. Berg started writing it after being emboldened by the success of his first opera, Wozzeck, in the 1920s. He made significant progress but abandoned the project following the death of Manon Gropius, a muse of Berg’s and essentially he and his wife’s adoptive daughter. By the time the violin concerto he dedicated to Gropius debuted, Berg himself had already died at age 50. Blood poisoning took his life on Christmas Eve in 1935, and Lulu was left only one-third orchestrated.

This holiday season, consider giving the gift of positive support in the form of a donation to one of these ten important music-related community charities.

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In my video example above, my variations were as follows: First, I removed the hi-hat entirely (variation 1), then I added a kick and snare hit (variation 2), and finally I added kick and snare hits while removing snippets of the hi-hat pattern (variation 3). All of which is in addition to an already interesting yet repetitive beat sequence.

Taught by Alex Wilson of the Australian band Sleepmakeswaves, this course is less about recording at home and more about how to take in-the-box material and make it come to life while you’re performing onstage. We take you through the best gear to use, how to organize your tracks in Ableton Live, how to setup your laptop rig, and much more!

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A fifth in 12-TET is defined as seven semitones. Instead of multiplying your frequency by 3/2, you multiply by the 12th root of two seven times, which is about 1.498. That’s close, but not quite on the nose. Major thirds are worse in 12-TET. Instead of multiplying your frequency by 5/4, you multiply by the 12th root of two four times. That gives you 1.25992, which is not very close to 5/4 at all. Nevertheless, we as a civilization have collectively decided that we should just suck it up and live with everything sounding a little wrong. There are plenty of good reasons to!

Soundfly is a new kind of music school for today’s musician. We create creative courses and daily articles for the curious musician. Meet the whole Soundfly Team here.

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There are plenty of online tutorials to guide you through the technical editing practices depending on the software you use, but it’s important to ensure each episode makes sense and flows well. Have someone with neutral ears listen before you publish if you can.

For a tone, most of the area of the fingers and the edge of the palm will contact the drum. Move your hands towards you until your knuckles are just off the edge of the drum. Your fingers themselves should be over the drumhead. You strike the drumhead with all your fingers flat at the same time.

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Any home-recording musicians, producers, or instrumentalists who are new to working in DAWs, and want to get up and running making music in Logic Pro X, regardless of style or genre. This course will also briefly touch on mixing as part of a more holistic music-making process. You’ll need a copy of Logic Pro X to get the most out of the course.

To get around this problem, we’ll sometimes give sections names like “A” or “B” instead of “verse” or “chorus.” Let’s look at a few structures in this vein.

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NSYNC’s “Bye Bye Bye” is pure pop in all its youthful glory — this song brings me right back to my first celebrity crush, Lance Bass (yes, the gay one, just my luck). As soon as I hear this song, I laugh to myself and immediately do the dance from their music video.

While this technique may not work well for subtle genres like folk or jazz, excessive compression is commonly used in Top 40 genres such as pop, rock, and hip-hop productions to create powerful vocals that cut through busy arrangements.

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Filippo Faustini is a guitarist and producer based in London. He graduated in Modern Guitar at the Conservatoire in Frosinone (Italy) and then he completed an MA in Composition for Moving Images at City University (London). He is the guitarist and producer for the London-based alt rock/ambient band, Alice in the Cruel Sea. Filippo is also the co-founder of a recently formed music production company called Music Brewery where he works as producer and mixing engineer. 

The word “hemiola” originates from the Greek words “hemi,” meaning half, and “holos,” meaning whole. In other words, one and a half. And so, a hemiola is a rhythmic pattern that uses a ratio of three to two, and the Greeks, ever concerned with ratios, noticed that three divided by two gives you one and a half, thus their description “hemiola.”

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+ Learn more on Soundfly: Interested in building on your knowledge of music theory? Try our free course “Theory for Producers,” made in partnership with NYU’s Music Experience Design Lab!

Songwriters like me often draw from personal life and experience, or from the experiences of those around us; which is probably true of almost any writer in any literary format. But we may also get inspired by and invested in the characters in TV shows, films, and books as well. In fact, it is completely possible to get inspired by anything and everything in the world around you as a creative person. As long as you’re looking for it…

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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

You will then be prompted to select the kind of track you would like to create. For the basic piano vocal demo, you will likely be using a software instrument and an audio track.

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+ Learn a new musical skill in ten minutes. Explore Soundfly’s wide array of free online courses and gain a musical edge during your lunch break. Or sign up for the Soundfly Weekly newsletter, and learn something new every Tuesday!

Let’s say that you’re mixing a project and it’s arrived to you with phase issues built-in. You have a natural snare recording, but when you turn up the accompanying trigger track, it sounds awful. Usually it’s the above comb-filtering and/or a disturbing lack of low end. You can start by flipping the phase button, and see if that gets you where you need to be. Alternatively, you can zoom in on the waveforms and see what’s up.