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A prolific Nashville songwriter (who shall remain nameless) has a strategy where he wakes up and writes down five ideas, lines, or thoughts in his journal. In the sessions he goes to that day, he’ll pull from that list and use the words as the first line of the song, the last line of the song, the first line of the chorus — it could even just be a word. The point is, the words he writes down are often fresh to him, but they also came up for a reason — something he’s dealing with, or something a friend is going through — and he’s able to use that idea as a target for that day’s sessions.

The nearly 11-minute version of “Lost Someone” is a high point; Brown demonstrates his ability to ensconce his sexuality in a preacher’s cloak. Throughout this song, it feels like he’s beseeching the audience to believe in a higher power. Judging by the screams of the audience, I’d say he converted all of them. This style of performance would later go on to be emulated by other larger-than-life performers such as Prince or Bruce Springsteen.

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All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them. 

Most commonly seen in classical music, the “Verse-Refrain” is one of the simplest song structures. It consists of verses followed by a short refrain that sums the song’s message up quickly and easily (functioning somewhat like a chorus). The Beatles wrote many successful verse refrain songs throughout their career. Though the verse-refrain has almost completely disappeared from modern music, it is still an effective tool for certain songs. And as it is important to always keep in mind, history has a tendency to repeat itself!

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Alright, first, create a New Track. When you first open a new template on Logic Pro, it will automatically prompt you to create a new track. After that, go to the menu bar and select Track to create a new track. Fairly straightforward, right?

While the PR-40 looks like a traditional condenser mic, it’s actually a dynamic microphone, which makes it an excellent choice for podcasting. Dynamic microphones are less sensitive than condenser microphones and capture less ambient noise. The PR-40’s fixed cardioid pickup pattern further helps reduce background noise for a crystal-clear broadcast. With an internal shock mount, the PR-40 is fully protected from handling noise, while the dual mesh filters prevent plosives. An extended frequency range helps capture that classic “radio voice” sound.

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For example, in Spotify for Artists, you can see detailed stats for your top 200 songs. You can filter by date range to see whether certain promotional efforts or live shows have correlated with your Spotify activity. You can also track the total streams and listeners of all of your tracks, combined (but note that this “all-time” graph can only go as far back as 2015).

Her project is cleverly structured using Indiegogo’s flexible funding feature. As long as she reaches any of four monetary milestones, she’ll be able to complete her project. Well done!