When I was first asked to analyze a pop tune, I felt it was my Canadian duty to avoid Justin Bieber’s tune “Sorry” (which a real Canadian would have pronounced “SORE-ee” rather than “SAW-ree”). However, I live with a semi-secret Belieber, so the song was hard to avoid, and it turns out there’s actually something pretty harmonically hip going on under Justin’s dulcet tones.
This album also did two things beyond Brown himself. First, it would help cement soul and funk as commercially viable mainstream music genres. Soul could be fun, loud, raucous and youthful; not just sentimental and romantic. Secondly, it demonstrated the power of a live album to make money, and assured record producers and labels alike that consumers would be willing to buy the same songs on two different albums if one was live.