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Cma conference 2019

Sırma is a singer, songwriter, producer, and topliner who has recorded with the likes of Akon, Illenium, and Keri Hilson. She has recorded and produced vocals for jingles for major ads, and written and produced original tracks that hit the top of the Spotify charts in her native Turkey. She studied contemporary writing & production at Berklee College of Music, where she learned to become a self-sufficient, multifaceted musician. She also studied production and mixing at London School of Sound, and has worked at various studios on production and sound engineering.

As mentioned before, Berg was looking to push these techniques to their limits — not only in terms of scope, but also intent. The trajectory of this orchestral inversion actually mirrors the trajectory of the story.

Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.

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This is one I’m sure you’re familiar with, even if you might not have known its fancy name. It’s also sometimes called Verse-Repeating or Chorus form, because it essentially repeats the same section, but with new lyrics each time. If we’re thinking of things in terms of “A” sections and “B” sections and so forth, this would just be multiple As, one after the other.

When we’re listening to a song, how much does the tune’s structure really matter? How much does it really matter which notes are in the verse versus the chorus? How much does it really matter when the chorus happens or when the verse happens?

Something most recently popularized in Post Malone’s work, Free Form writing is when your song structure is very loose, or follows little to no repetitive form at all; eight bars or this, 11 bars of that, the chorus not always falling in the same place after the verse, etc. In modern music it usually is represented as a song with no repetitive verse structures, and with the chorus still remaining somewhat, or completely the same each time.

We must realize that Ligeti was working in the Hungary, in (almost) total isolation from the rest of the continent, where Schoenberg, Berg, Webern, and later Boulez and Stockhausen were using serial techniques to find a way to detach modern music from the “tyranny” of the Western tonal system. Ligeti approached the same problem from an apparently antithetical standpoint (using one note instead of a fixed series of twelve pitches), yet focusing on the other parameters of music in order to create direction and growth.

Source-Connect Now is a similar product, but it’s free! If you have the budget, however, I recommend ipDTL because it has greater mixing capabilities and is more common in the industry, making it easier to work with other companies and voice talent. That being said, when just beginning, Source-Connect Now can certainly get the job done. Both services offer a private link to send to your guests and allow you to have more than one guest in different locations. It’s just like connecting via Skype, but at a much better quality. As long as you both have a solid internet connection and suitable recording environments, your interview will sound great. You didn’t even have to leave your bedroom!

Music grant applications

“Artists of the early 1700s did not wear their lives on their sleeves… Their goal was not to expose the hidden and the personal but to replicate the empirical and the universal; their domain was not the unconscious but the observable world.”

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

The White Stripes was chaos organized. Their songs may not all sound the same, but they are all rooted in blues-influenced rock ‘n’ roll. The consistency of their color scheme told both their core audience as well as new fans: “We may go crazy and be a little off the rails, but we’re rooted in something familiar to all of us.”

People often forget that their bodies need them to compensate with fluid intake anytime you increase your physical activity (e.g. during a workout, when dancing, or just any time you sweat a lot). Also, consider what happens when you’re performing on stage under the hot lights: lots of movement, hot rooms, nervousness, which all cause perspiration, so it’s important to plan additional water intake when engaging in these types of activities.

Alisu is an IDM and dub producer who has been a major proponent of Chile’s underground music scene in the last few years. She uses both analog and digital synths so expect to hear everything from fat Moog thumps to wild FM synthesis sounds. What sets her apart is her creative and mesmerizing use of field recordings. There seems to be an underlying sense of nature interwoven into the very essence of her music. It’s almost impossible to describe but it’s as if she’s trying to pull us into an unknown tropical paradise.