The course goes deep in guiding students through the methods of learning how to sight sing more fluidly by mastering intervals and grasping harmony and chord theory, and offers tips and surefire strategies for making audition cuts (or dealing with cuts when they’re made on the fly!).
It turns out a lot of those Disney movies were scored by the same person, Alan Menken. Perhaps he was anticipating that this music would eventually lock inside his audience’s subconscious when he wrote it!
As the Enlightenment gathered steam toward the end of Bach’s life, such views seemed to many of his colleagues to be outmoded or even a threat, as the product of the very same ancient, superstitious religion that the Enlightenment sought to escape. (There is an amazing book about Bach’s encounter with Enlightenment attitudes if you wish to learn more about this.)
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Solution: Keep a practice journal and set weekly goals. Budget your practice time in your journal the way you would your finances. Break goals into small chunks and keep a record of how you actually end up spending that time. Make adjustments regularly and cut yourself some slack. Ten minutes of focused practice can be more helpful than two hours of tedious drills, particularly if your mind is elsewhere. Instead of panicking over minutes and hours, focus on what you can achieve in the time you have available.
Learn about underwater acoustics and how sounds travel in different directions and across far distances via a marine audio highway called the SOFAR Channel.
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
One of the best things you can do as a working producer is to analyze music by the artists who inspire you. This will help you understand how they build their tracks, and develop their ideas for when you start working on how things are arranged and orchestrated.
At the end of the day, it’s good to understand your intentions for a song as you establish its form. Each type of song section can serve a different purpose. If what you’re working on isn’t sitting right and you can’t find any specific problems with harmony, lyrics, or any of the other components we’ve discussed, it may just be that you need to revisit the overall structure of the song.
Dance grants for individuals
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Like the tonality, the tempo here is also slippery. I’m calling it 119, and not 59 BPM. Usually the snare on the 2 and 4 is the king that decides meter in pop and rock, so it’d be 59 BPM. However, the lyrics are delivered so quick that I just gotta go with the more double-time feel. It’s right in the BPM sweet spot where either tempo label works. Last, we have some creative treatments of the choruses. The first chorus is really a half-chorus with an added measure (very cool!), and then it’s a regular chorus when it comes back around. And then when it finally comes back around at the end, you gotta call it “C2” (chorus variation) because of how it’s modified to act as the song’s outro.
All this is corroborated by an intensification of dynamics, which grow gradually into fortissimo (1:05 onwards). A first climax is reached in the Prestissimo section: (d.) is now played by both hands and the staccato articulations are now accented, longer (and therefore heavier) notes (1:58).
+ Learn more on Soundfly: Deepen your production and composition relationship with Ableton Live in our various courses that use the software, such as Beat Making in Ableton Live, Making Realistic MIDI Strings, Live Clicks and Backing Tracks, and Any Sound Will Do (sampling and stitching). Check out our full course offerings here.
The evolution of bass continues to this day. Now, let’s check out that classic prosumer drum machine from Japan — the Roland TR-808 — and, specifically, the iconic subby sound of its beloved kick drum.