In this scenario, it could be a push to get more people from their town to follow you on socials in order to get you back there sooner, or promising a free piece of merch or guest list spot in return for getting more people to follow you on socials.
Its influence can be heard across all sorts delay effects and pedals today. The combination of reverb and tone controls to the echo/delay is an almost universal feature now and yet the sound design always seems reminiscent of the RE-201. The earlier delay devices are often seen as collector’s items, but because of how difficult they are to use and how fragile they are it’s rare to see a working one in someone studio.
Inspiration may strike like lightning, but just about as frequently, so go out and find your own stories, ideas, characters, and narratives in these blogs!
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To isolate and mix Electronic Drum Kit percussion parts, you’ll need to select kits listed under the Drum Machine section. To isolate and mix organic Drum Kit percussion parts, choose from any of the kits listed under the Producer Kits section. In theory, you could build drum parts individually, one track at a time, using the combined kit instruments, but this method will take far more time and will be much harder to compose intuitively through.
Ian is a pianist, entrepreneur and professional musician. He started Soundfly to help people really find what gets them most excited musically and pursue it. He’s toured all over the world with his experimental trio Sontag Shogun. Check out his most recent course Building Blocks of Piano or follow him on Twitter at @ianrtemple.
There are a ton of pitch corrector plugins out there to make sure you’re fully in tune and sounding great — and no, you don’t need to go full Auto-Tune. If you’re a bit of a perfectionist though, you may want to hand tune them yourself. Head into the Audio Editor to find an option called Flex. From there, you’ll be able to tune any of your vocals by dragging them up or down to the correct note or fine pitch, or even flatten out the vibrato.
It may sound corny or cliché, it may sound like bad advice at first, but “fake it til you make it” is one of the core tennets of visualizing your success.
It might also help to run your catalog through Royalty Exchange’s Know Your Worth app. This free, no-obligation tool gives songwriters an estimated value of their catalog, or potentially a verified offer from pre-qualified investors. Showing this to a lender provides a real, third-party value for your catalog, and can even be an alternative source of funds if the loan process doesn’t work out.
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If you’re a Splice user, you can choose an 808 sample from their library, or just generate your own and drag it into a sampler (not a drum rack!) of your choosing. Most samplers will automatically start resampling the sound so that its pitch is adjusted as you play it in.
Convenient though it is, some musicians don’t want to accommodate a 12-TET, insisting instead that we continue to use pure intervals derived from harmonics the way God and Pythagoras intended. Harmonics-based tuning systems are collectively known as just intonation. This is a poetically apt term, because it implies fairness. By contrast, the implicit message of 12-TET is that life isn’t fair. As we’ve learned, just intonation systems give you some lovely pure intervals, but are severely limited otherwise. A few malcontents prefer alternative historical compromise tuning systems that make some keys sound better at the expense of others sounding worse. There are many such esoteric temperament systems, but none of them are in widespread use.
For example, if you are a solo performer singing along to tracks and all you bring on stage is your phone or iPod, you’re focusing all the attention on yourself as a performer. If you choreograph dance moves, or play into this isolated, “artist in the spotlight” vibe, perfect. But if you’re only doing this because you haven’t yet figured out how to play this music live, it’s a mistake to get up there in the first place. People look at that stuff, believe me.
That’s right — the entire minor pentatonic scale is contained within the Dorian mode. Therefore, we are free to play with the addition of the 2nd and 6th scale degrees. Not only can we layer the Dorian mode over the minor pentatonic scale, but the 2nd and 6th degrees present in the Dorian mode also belong to the major pentatonic scale, which players like the Three Kings (Albert, Freddie, and B.B.), Eric Clapton, and Jimmy Page commonly weaved into their solos.
Provide a link to stream your music, talk about who you are, what your music sounds like, and describe what you can realistically bring to the table when it comes to a local draw. If it’s 10-20 people, say 10-20 people. Inflating the numbers can ruin the vital first impressions you make with venues.