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The course goes deep in guiding students through the methods of learning how to sight sing more fluidly by mastering intervals and grasping harmony and chord theory, and offers tips and surefire strategies for making audition cuts (or dealing with cuts when they’re made on the fly!).

It turns out a lot of those Disney movies were scored by the same person, Alan Menken. Perhaps he was anticipating that this music would eventually lock inside his audience’s subconscious when he wrote it!

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The main chord progression of this tune features an A♭ major chord for two beats of the first measure, C minor for the last two beats of that first measure (falls on beat three), and B♭ major for an entire bar, repeating over and over and… over. Using the image above, you can now analyze this progression as IV major, VI minor, and V major.

I’m hardly the first person to want to hear how Bach sounds over a groove from the African diaspora. Django Reinhardt recorded a similar idea back in 1937.

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Now that you’ve finished recording and your track sounds great, you’ll need to get a file version you can send around. To make a quick mp3 bounce of your song, click on File in the top left corner, then find Share and click on iTunes. Many platforms such as iTunes will compress the file in the process to fit their standards, so be mindful of that.

Gorgeous though the chaconne is, my enjoyment has been hampered by my inability to figure out the rhythm. All classical performers insist on doing extremely expressive (read: loose) timekeeping. I don’t have the sarabande rhythm internalized well enough to be able to track it through everybody’s gooey rubato. Bach’s rhythms are complicated enough to begin with. He loves to start and end phrases in weird spots in the bar (the very first note of the piece is on beat two) — so, I needed some help finding the beat.