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Full English is a Brooklyn-based post-production audio facility dedicated to outputting only the highest standard of recording, sound design, and mixing. Owned by British sound designer Kieran Kaye, Full English specializes in audio for all content including commercials, trailers, documentaries and branded content. Offering a boutique experience, working closely with the client from the offline stages to final mix, Full English provides premium quality with a more reasonable price point.

Everyone can sing this tune off the top of their heads! Listen to “Frosty the Snowman,” and focus on when the lyrical syllables move from “fros” to “ty” at around 0:12.

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There are a ton of ways to get your recorded music out of the studio and into a room full of excited fans. Let’s explore the pros and cons of them all!

In plain speak, FLAC is like buying an Axe-FX with all these guitar sounds that you’re never gonna use, and MP3 is like buying a Boss MT-2 Metal Zone — there’s less in there, but it doesn’t screw around with needless bells and whistles. It just takes you straight to Toneville.

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+ Learn a new musical skill in 10 minutes. Explore Soundfly’s wide array of free online courses and gain a musical edge during your lunch break. Or sign up for the Soundfly Weekly newsletter, and learn something new every Tuesday!

“It’s really a ray of light. Just to be able to go there and see friends come in that you haven’t heard from or been in communication with, like, it’s such a relief to know you’re OK and you’re here and you have a place with food,” she says. “If I hadn’t gone to El Local this last week, I would be super, super hungry, and probably super depressed. It’s not only about the food and meeting people, it’s having that little space where it’s comfortable, and we take our instruments, and we jam out, and we play board games, and we have conversations, and we hug each other. It’s much more than a community kitchen; it’s making the whole corillo [Spanish for “community of friends”] feel better about the whole situation.”

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Sometimes days seem to end up where they first began     A

This video is also a true masterclass in how to create a dynamic, visual aesthetic that bolsters a song to full effect with just a single dancer and a no-frills location.

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So normally with this series we look at lectures and videos that focus on a single artist, but today we’re throwing both of those concepts out the window and zooming in on a recent panel held at the annual Ableton Loop Conference featuring educators, not artists, and not one, but three of them. The panelists: Ethan Hein, Doctoral Fellow in Music Education at NYU, adjunct professor of music technology at NYU and Montclair State University, and Soundfly instructor; Melissa Uye-Parker, British songwriter, performer, and educator based in London; and Jack Schaedler, software developer at Ableton who has worked on Ableton’s microsite for learning music fundamentals. And the panel was moderated by none other than Dennis DeSantis, composer, sound designer, percussionist, and author, who is also Head of Documentation for Ableton.

Frances Katz began her career writing about MTV and Napster. Now she writes about technology, music, business, and culture for a variety of publications including The Week, The Atlantic, Paste, The New York Times, Ploughshares, and others. She lives in Atlanta, but you can keep up with her on Twitter.